Table of Contents
Introduction
The Temptations: The true story of The Temptations, the 1960s vocal group Soul, seen from the perspective of the last surviving member, Otis Williams. From its humble origins in the late 50s to the 90s and the death of the other four members.
In the biographical miniseries The Temptations, David Ruffin, the line has become iconic for its amusing audacity. Legendary Motown band founder Otis Williams warns the lead singer to stop missing sessions and rehearsals he hails. And Williams reminds Ruffin that the audience comes to see the whole group.
About the Movie – The Temptations
Access to the Motown catalog, the film included more than 40 songs, which meant that viewers could sing classic hits from the sixties and seventies like “My Girl,” “Ain’t Too Proud to Beg,” and “Papa Was a Rollin ‘ . ‘ Stone “. In Otis Williams’s book Temptations, the script gave fans a glimpse into the largely unknown story behind the music. Aired on NBC on November 1-2, 1998, the two-part miniseries covered the group’s ups and downs from its origins in the 1950s through the mid-1990s.
Arkush was delighted to have the opportunity to have lunch with Robinson at the beginning of production. The legendary Motown songwriter described how he summoned the Temptations to his piano to teach them a new song he wrote, called “My Girl.” Arkush relayed the story to the actors, who performed the scene without a script.
Robinson was impressed with the first images. In another strange moment, he called Arkush on set and asked to be in the movie (he makes a cameo himself at the end) and contribute to the music. “He said, ‘Allan, can I sing you a theme song?'” Arkush recalls with enthusiasm. “I sat on the sidewalk listening to Smokey Robinson on the phone sing the title track. He still didn’t have the words. He only had one melody.
Robinson was just one of many Motown veterans involved in the film. Otis Williams and Temptations manager Shelly Berger held producer titles. And Suzanne de Passe, who worked as a creative assistant to Motown founder Berry Gordy, served as executive producer.
Dennis Edwards’s ’10 Greatest Billboard Hot 100 Hits With Temptations
Staying true to the story, shooting in Pittsburgh was compulsory, and rebuilding Motown’s “Hitsville U.S.A.” headquarters.
“Detroit was in such bad shape that a city, we couldn’t find the kind of middle-class housing in the 1950s,” Arkush says. “And there wasn’t a movie community in Detroit because no one filmed there.”
In choosing the film, the team looked for talented actors who embodied the spirit of individual Temptations. “I auditioned for Paul [Williams] first, then Suzanne de Passe said, ‘No, you’re Eddie Kendricks,'” says Brooks, who was a 23-year-old singer with no film experience at the time. “I applaud the cast because you could have gotten stars to play all the parts, and I think that would have diminished the story … You should get away with these famous people.”
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Story Line
- The controversial character, arrogance, drug use, and volatile relationships with women that the late David Ruffin talks about are at the film’s center. (His family disputed some details of his performance, but his legal action against the production failed.)
- Otis Williams saw Leon act as David Ruffin on the first and only day he visited the set. The experience brought back visceral recollections of the group’s confusion, including internal flights, roster changes, and the untimely deaths of the original members.
- Although he’s seen a clip here and there over the years and says he can handle the Temptations musical heading to Broadway next year, he never saw the entire movie, which also incorporates the deaths of his mother and son.
Conclusion
The effective mixture of a talented cast and crew and timeless music resulted in an enduring classic. The miniseries won an Emmy for Outstanding Achievement and found new life by releasing VHS / DVD and reruns on VH1 and BET. And 20 years later, the movie continues to be discovered and celebrated; Today, people still tell Arkush fond memories of experiencing the film as a family.
His aunts, grandmothers, and mothers would see him together during the holidays. That’s enough to find out,” he said.
And the actors feel holy to be a part of the film’s legacy. “I think it’s humbling for me to have a body of work that stays with people for so long,” Brooks said. “They still play it on TV, so it’s an amazing gift.”
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